{"id":697,"date":"2018-10-03T17:39:34","date_gmt":"2018-10-03T15:39:34","guid":{"rendered":"https:\/\/sppq.qc.ca\/?page_id=697"},"modified":"2026-01-23T10:48:52","modified_gmt":"2026-01-23T15:48:52","slug":"concours-w-e-sackston","status":"publish","type":"page","link":"https:\/\/sppq.qc.ca\/fr\/concours-w-e-sackston\/","title":{"rendered":"Concours W.E. Sackston"},"content":{"rendered":"

Concours W.E. SACKSTON<\/h2>\n<\/div>
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Waldemar E. Sackston (1918-2004). Phytopathologiste. Professeur \u00e9m\u00e9rite du d\u00e9partement de Plant Science de McGill University. Pr\u00e9sident de la Soci\u00e9t\u00e9 de protection des plantes du Qu\u00e9bec (1967-68). Membre honoraire. Pr\u00e9sident (CPS 1960-61) et Fellow de la CPS (1982). Prix Dr. and Mrs. D.L. Bailey (CPS – 1983) et r\u00e9cipiendaire du Lifetime achievement Award (CPS – 2003). Fellow de l’American Phytopathological Society (1988).<\/p>\n

Le prix W.E. Sackston est d\u00e9cern\u00e9 \u00e0 la meilleure communication orale, d’une dur\u00e9e de 15 minutes, pr\u00e9sent\u00e9e par des \u00e9tudiants \u00e0 la ma\u00eetrise ou au doctorat, membres de la SPPQ lors des congr\u00e8s annuels. L’\u00e9valuation des communications est effectu\u00e9e par un jury form\u00e9 de membres de la SPPQ.<\/p>\n<\/div>

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 <\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Ann\u00e9e<\/th>\nR\u00e9cipiendaires<\/th>\nDirection<\/th>\n<\/tr>\n<\/thead>\n
2025
(1er prix)<\/td>\n		Joshua Molligan<\/td>\nAu doctorat sous la direction de Edel P\u00e9rez-L\u00f3pez (Universit\u00e9 Laval)<\/td>\n<\/tr>\n
2025
(2e prix)<\/td>\n		Marwa Mejeri<\/td>\n\u00c0 la ma\u00eetrise sous la direction de Russell J. Tweddell (Universit\u00e9 Laval)<\/td>\n<\/tr>\n
2024
(1er prix)<\/td>\n		Ariane Vossen<\/td>\n\u00c0 la ma\u00eetrise sous la direction de Jacques Brodeur (Universit\u00e9 de Montr\u00e9al)<\/td>\n<\/tr>\n
2024
(2e prix)<\/td>\n		Antoine Roy-Lemieux<\/td>\n\u00c0 la ma\u00eetrise sous la direction de Russell J. Tweddell (Universit\u00e9 Laval)<\/td>\n<\/tr>\n
2023<\/td>\nDave T. Ste-Croix<\/td>\n Au doctorat sous la direction de Benjamin Mimee (Universit\u00e9 Laval et AAC)<\/td>\n<\/tr>\n
2022
(1er prix)<\/td>\n		Sarah Drury<\/td>\n Au doctorat sous la direction de Mamadou Fall (Universit\u00e9 de Sherbrooke et AAC)<\/td>\n<\/tr>\n
2022
(2e prix)<\/td>\n		Anne-Sophie Brochu<\/td>\n\u00c0 la ma\u00eetrise sous la direction de Edel P\u00e9rez-L\u00f3pez (Universit\u00e9 Laval)<\/td>\n<\/tr>\n
2021
(1er prix)<\/td>\n		Romaric A. Mouafo-Tchinda<\/td>\nAu doctorat sous la direction de Odile Carisse (AAC) et Carole Beaulieu (Universit\u00e9 de Sherbrooke)<\/td>\n<\/tr>\n
2021
(2e prix)<\/td>\n		C\u00e9sar\u00e9e Morier-Gxoyiya<\/td>\n\u00c0 la ma\u00eetrise sous la direction de Tanya Copley (CEROM) et Val\u00e9rie Gravel (Universit\u00e9 McGill)<\/td>\n<\/tr>\n
2021
(3e prix)<\/td>\n		Virginie Bernier<\/td>\n\u00c0 la ma\u00eetrise sous la direction de Val\u00e9rie Fournier (Universit\u00e9 Laval) et Daniel Dostaler (Universit\u00e9 Laval)<\/td>\n<\/tr>\n
2019
(1er prix)<\/td>\n		Dave Thibouthot-St-Croix<\/td>\n\u00c0 la ma\u00eetrise sous la direction de Benjamin Mimee (AAC)<\/td>\n<\/tr>\n
\n

2019
(2e prix)<\/p>\n<\/td>\n

Guilherme Silva Martins<\/td>\nAu doctorat sous la direction de Peter Moffett (Universit\u00e9 de Sherbrooke)<\/td>\n<\/tr>\n
2018<\/td>\nCarolane Audette<\/td>\nAu doctorat sous la direction de Benjamin Mimee (AAC) et Richard B\u00e9langer (Universit\u00e9 Laval)<\/td>\n<\/tr>\n
2017<\/td>\nPierre-Olivier H\u00e9bert <\/td>\n\u00c0 la ma\u00eetrise sous la direction de Carole Beaulieu (Universit\u00e9 de Sherbrooke) et de Vicky Toussaint (AAC)<\/td>\n<\/tr>\n
2016<\/td>\nMaxime Lefebvre<\/td>\nAu doctorat sous la direction de Alan K. Watson (McGill)<\/td>\n<\/tr>\n
2015<\/td>\nAnne-Fr\u00e9d\u00e9rique Gendron St-Marseille<\/td>\nAu doctorat sous la direction de Benjamin Mimee (AAC) et Jacques Brodeur (Universit\u00e9 de Montr\u00e9al)<\/td>\n<\/tr>\n
2015<\/td>\nAudrey-Anne Durand<\/td>\n Au doctorat sous la direction de Claude Guertin (INRS)<\/td>\n<\/tr>\n
2014<\/td>\nErika Sayuri Naruzawa  <\/td>\nAu doctorat sous la direction de Louis Bernier (Universit\u00e9 Laval) et Fabienne Malagnac (Universit\u00e9 Paris 7)<\/td>\n<\/tr>\n
2013<\/td>\nLauriane Moine<\/td>\n\u00c0 la ma\u00eetrise sous la direction de Richard B\u00e9langer (Universit\u00e9 Laval)<\/td>\n<\/tr>\n
2012<\/td>\nAnnie Christine Boucher<\/td>\n\u00c0 la ma\u00eetrise sous la direction de Peter Moffett (Universit\u00e9 de Sherbrooke), Guy B\u00e9lair et Benjamin Mimee (AAC)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n
<\/div><\/div><\/div><\/div><\/div>

Voici la grille d’\u00e9valuation du Prix W.E. Sackston:<\/p>\n

Soci\u00e9t\u00e9 de protection des plantes du Qu\u00e9bec<\/strong><\/p>\n

Fiche d’\u00e9valuation, concours W.E. Sackston<\/p>\n<\/div>\n

\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Facteur<\/th>\nPr\u00e9cisions<\/th>\nNote maximale exceptionnelle<\/th>\nNote du candidat<\/th>\n<\/tr>\n<\/thead>\n
Le r\u00e9sum\u00e9<\/td>\nrespect du nombre maximal de mots (200), bien r\u00e9dig\u00e9, clair et concis,
\nr\u00e9ellement informateur<\/td>\n		10<\/td>\n<\/td>\n<\/tr>\n
Mati\u00e8re de la recherche<\/td>\nrel\u00e8ve de la phytoprotection, degr\u00e9 de complexit\u00e9 du sujet, originalit\u00e9,
\nrigueur, ampleur du travail<\/td>\n		10<\/td>\n<\/td>\n<\/tr>\n
R\u00e9sultats<\/td>\nbien dos\u00e9s (en nombre optimal), pr\u00e9sent\u00e9s avec esprit de synth\u00e8se et
\nesprit critique<\/td>\n		10<\/td>\n<\/td>\n<\/tr>\n
D\u00e9roulement de la pr\u00e9sentation<\/td>\nstructure g\u00e9n\u00e9rale tr\u00e8s claire et facile \u00e0 suivre, transitions
\npertinentes entre les parties, conclusions \u00e0 point<\/td>\n		10<\/td>\n<\/td>\n<\/tr>\n
Langue parl\u00e9e<\/td>\nvocabulaire, prononciation, volume de la voix, d\u00e9bit de la parole<\/td>\n10<\/td>\n<\/td>\n<\/tr>\n
Langue \u00e9crite<\/td>\nabsence de fautes et d’anglicismes, vocabulaire exact<\/td>\n10<\/td>\n<\/td>\n<\/tr>\n
Lisibilit\u00e9 du texte<\/td>\ntaille optimale des caract\u00e8res, choix judicieux des polices, contraste
\ndes couleurs<\/td>\n		10<\/td>\n<\/td>\n<\/tr>\n
Figures et tableaux<\/td>\ntr\u00e8s compr\u00e9hensibles sans explications, construction simple et claire<\/td>\n10<\/td>\n<\/td>\n<\/tr>\n
Diapositives<\/td>\nen nombre optimal, bien mont\u00e9es et agenc\u00e9es, d\u00e9pouill\u00e9es de texte
\nsuperflu et de couleurs et motifs agressants<\/td>\n		10<\/td>\n<\/td>\n<\/tr>\n
Impact sur l’auditoire<\/td>\nquestions suscit\u00e9es et qualit\u00e9 des r\u00e9ponses<\/td>\n10<\/td>\n<\/td>\n<\/tr>\n
Attitude personnelle<\/td>\nsalutations, remerciements, respect du temps allou\u00e9, tenue
\nvestimentaire, contact visuel, mouvements et gestes, respect de l’auditoire<\/td>\n		10<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\nTOTAL \/110 :<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n
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